Review: Is “The Inheritance” the Next Gay Epic?

On the surface, it is easy to make a comparison between “Angels in America” and Matthew Lopez’s new play “The Inheritance”: both are sprawling, two-part plays with large casts of characters and explore gay themes, especially HIV. However, when you look closer and move past this vague description, it becomes clear that the plays are not very alike after all (something Lopez himself has even admitted). “The Inheritance” may be similar in length to “Angels,” but it fails to live up to Kushner’s work in almost every way.

“The Inheritance” tells the story of three generations of gay men all dealing with the cultural aftermath of the AIDS crisis. It clearly wants to be a gay epic, but in spite of its large cast, it mostly tells a fairly constrained story of a gay couple, Eric Glass (Kyle Soller) and Toby Darling (Daryl Gene Daughtry Jr.). The play is loosely adapted from E. M. Forster’s “Howards End.” “The Inheritance” tries to have the best of both worlds: it wants to be both an adaptation of a novel (which has a limited scope) and a massive gay fantasia.

While it has an epic length (six and half hours), the content of the play never justifies the run time. The story could have been quite easily trimmed and streamlined, especially the lagging second part. For example, an ensemble of eight gay men who mostly act as a Greek chorus — or in the…